[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#565868″ custom_padding=\u00a0\u00bb20px||15px|0px||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb127px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb32px\u00a0\u00bb text_line_height=\u00a0\u00bb1.3em\u00a0\u00bb background_color=\u00a0\u00bb#565868″ text_font_size_tablet=\u00a0\u00bb32px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb24px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
My cameras<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb22px\u00a0\u00bb text_line_height=\u00a0\u00bb1.3em\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb20px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
25 years of shooting in nature and 8 cameras<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbSection principale\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#34353f\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
2009 to 2012 \u2013 I switch to HDV with the Sony HDR-FX7 camera<\/b><\/p>\n
Still based on minicassettes, this time with the HDV label instead of MiniDV, this format allows the recording of videos in 16:9 at the resolution of 1440\u00d71080 rectangular pixels. The rendering on the TV is therefore 1920\u00d71080 square pixels. In addition, tape recording is still done in interlaced mode (50i), which requires encoding if we want to display in progressive (50p or 25p).<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
With a 20x optical zoom and a 1.5x digital converter giving very good results, the FX7 was particularly suitable for animal video. Compared to a 24\u00d736 camera, the zoom corresponded to a 38-750mm, 1125 mm with the digital converter on. <\/p>\n
Also equipped with a tri-CCD sensor, it produced a detailed image, a progress compared to MiniDV cameras, including the Canon XL-1<\/p>\n
Les seuls inconv\u00e9nients du HDV, c’est le temps de d\u00e9rushage, 1 heure pour une cassette de 60 minutes (c’est l’\u00e9vidence) et la r\u00e9solution de 1555 pixels, au lieu d’un peu plus de 2 millions pour la vraie HD. Et sur les ordinateurs modernes, on ne travaille plus en interlac\u00e9, mais en mode progressif.[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Sony FX7<\/p>\n
[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/wildlife-moviemaking.thelastbee.ch\/wp-content\/uploads\/2023\/08\/Sony-FX7.jpg\u00a0\u00bb title_text=\u00a0\u00bbSony FX7″ _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_3,1_3″ _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/vimeo.com\/1016059640?share=copy\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_margin=\u00a0\u00bb56px||||false|false\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
This video illustrates the employment opportunities of the FX7. Freehand or on a tripod, on dry land or on a moving boat.<\/p>\n
Le long zoom – \u00e0 main lev\u00e9e – sur le Balbuzard p\u00eacheur perch\u00e9 dans la falaise au-dessus de la rivi\u00e8re montre le b\u00e9n\u00e9fice d’un objectif couvrant les focales correspondant \u00e0 un 38-750 mm \u00e9quivalent appareil de photo 24×36.[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title_text=\u00a0\u00bbFX7 Tripod\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/wildlife-moviemaking.thelastbee.ch\/wp-content\/uploads\/2024\/10\/FX7-Tripod.png\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":"
Mes cam\u00e9ras25 ans de prises de vues dans la nature et 8 cam\u00e9ras2009 \u00e0 2012 – Je passe au HDV avec la cam\u00e9ra Sony HDR-FX7 Toujours bas\u00e9 sur les minicassettes, cette fois avec le label HDV au lieu de MiniDV, ce format permet l\u2019enregistrement de vid\u00e9os en 16:9 \u00e0 la r\u00e9solution de 1440\u00d71080 pixels rectangulaires. […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1898","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/pages\/1898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/comments?post=1898"}],"version-history":[{"count":20,"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/pages\/1898\/revisions"}],"predecessor-version":[{"id":1975,"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/pages\/1898\/revisions\/1975"}],"wp:attachment":[{"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/media?parent=1898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}