[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#565868″ custom_padding=\u00a0\u00bb20px||15px|0px||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb min_height=\u00a0\u00bb127px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb32px\u00a0\u00bb text_line_height=\u00a0\u00bb1.3em\u00a0\u00bb background_color=\u00a0\u00bb#565868″ text_font_size_tablet=\u00a0\u00bb32px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb24px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
My experiences as a wildlife videographer<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|600|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb22px\u00a0\u00bb text_line_height=\u00a0\u00bb1.3em\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb20px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Comment je cr\u00e9e des vid\u00e9os de sc\u00e8nes de nature[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbSection principale\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#34353f\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.18.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb0px|auto|0px|auto|true|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||true|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/wildlife-moviemaking.thelastbee.ch\/wp-content\/uploads\/2022\/12\/Svalbard-MM.jpg\u00a0\u00bb title_text=\u00a0\u00bbSvalbard MM\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb24px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb|0px||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb custom_margin=\u00a0\u00bb16px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
In 1998, after more than 25 years devoted to naturalistic photography, I was loaned a video camera.<\/p>\n
The virus was inoculated and, despite the difficulties inherent in computer editing 24 years ago, hours of shooting, first in 4:3, then in 16:9 filled giga, then terabytes on several hard drives.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/wildlife-moviemaking.thelastbee.ch\/wp-content\/uploads\/2022\/12\/Troup-Head-MM.jpg\u00a0\u00bb title_text=\u00a0\u00bbTroup Head MM\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb24px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb1080%\u00a0\u00bb custom_margin=\u00a0\u00bb|-100px||||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n
The idea here is to talk about the means available to the amateur to create videos of animals filmed in nature. We are very, very far from the means of professionals, as at the BBC.<\/p>\n
We are talking about cameras costing a few thousand Euros and a hobby taken on leisure hours or holidays.<\/p>\n
Professionals spend days in places that are sometimes very difficult to access, with equipment that costs an arm and a leg. For example, the BBC sent two filmmakers for four months to Antarctica to film the reproduction of penguins with cameras costing 90,000 Euros, not counting the lenses, the viewfinder and other pieces.<\/p>\n
Nous allons donc rester modestes et nous limiter \u00e0 la base de la prise de vue et du montage de vid\u00e9os num\u00e9riques.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.24.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb1080%\u00a0\u00bb custom_margin=\u00a0\u00bb|-100px||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
We quickly forget that the first PC montages were made in a quarter-frame VHS1<\/sup>, and that, shortly after, the calculation of a one-second fade in SD definition took up to a minute. Then, with HD, and now 4K, image quality has changed considerably, but this requires powerful computers and considerable storage space.<\/p>\n In the following pages, I propose to describe how I proceed to film wild species and produce short - or less short - montages visible on a TV screen or on the web. It will therefore be a question of shooting hardware, editing software and work on image and sound.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n I propose to divide the subject into three parts:<\/b> 1<\/sup> Some technical considerations:<\/strong> The appearance of the mini-DV format, also 720\u00d7576 pixels, but rectangular equivalent to a 768\u00d7576 square pixel image was a real progress. It was followed by HDV, 1440\u00d71080 rectangular pixels equivalent to the 1920\u00d71080 of HD format, but slightly less sharp than real HD.<\/p>\n Enfin, les cam\u00e9ras abandonnant les cassettes pour les cartes SD, on arrive au vrai HD – 1920×1080 pixels, puis au 4k, quadruplant le nombre de pixels \u00e0 3840×2160… donc quadruplant les temps de calcul d’effets et de transitions.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Mes exp\u00e9riences de vid\u00e9aste de la faune sauvageComment je cr\u00e9e des vid\u00e9os de sc\u00e8nes de natureEn 1998, apr\u00e8s plus de 25 ans consacr\u00e9s \u00e0 la photographie naturaliste, on m’a pr\u00eat\u00e9 une cam\u00e9ra vid\u00e9o. Le virus \u00e9tait inocul\u00e9 et, malgr\u00e9 les difficult\u00e9s inh\u00e9rentes au montage sur ordinateur il y a 25 ans, des heures de prises […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":28,"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":2078,"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/pages\/23\/revisions\/2078"}],"wp:attachment":[{"href":"https:\/\/wildlife-moviemaking.thelastbee.ch\/en\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n General considerations on shooting >>><\/a>
\nThen the work on the sound >>><\/a>
\nAnd finally the improvement of the images >>><\/a>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.22.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb||||||||\u00a0\u00bb custom_padding=\u00a0\u00bb10px||10px||true|true\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
\nAs a reminder, the VHS format is, in principle, 720\u00d7576 pixels. A quarter of VHS therefore consists of 360\u00d7288 pixel images. Not really exceptional.<\/p>\n